It’s the Friday Morning Fart Song!
In this edition: Alizée’s Fifty-Sixty
Michael Sheen on CBS This Morning on August 28, 2014
#forever grateful for oberyn martell#the only character who consistently criticised and fought and raged against the all-pervasive culture of rape & sexual sadism#and who sought retribution for the rape of his sister not because it brought dishonour to his family#or sullied her femininity#but because it was a heinous violation of a human being that got buried in silence#he was determined to give voice to it; and to keep giving voice until it couldn’t be ignored any more#to be as unflinching and ruthless and relentless as the man who brutalised the person he loved#jfc the show needed this embedded voice of resistance so badly; one voice against a tide of complicity and complacency#[this character was everything this performance was everything i’m so fucking torn up about it]
Douglas Adams is the best when it comes to describe characters
they need to teach classes on Douglas Adams analogies okay
“He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”
"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”
"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”
"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”
"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”
And, of course:
"The ships hung in the sky in much the same way that bricks don’t."
the one that will always stay with me is “Arthur Dent was grappling with his consciousness the way one grapples with a lost bar of soap in the bath,” i feel like that was the first time i really understood what you could do with words.
i’ll never forget the exchange “it’s unpleasantly like being drunk.” “what’s so unpleasant about being drunk?” “you ask a glass of water.”
If they’d replaced the score with romantic music when Bodie looks across at Doyle and Doyle smiles back, it still couldn’t have been any more obvious.
Old Crow Medicine Show · Eutaw
Old Crow Medicine Show - Goodbye Booze
from Eutaw, 2001 OCMS